Affpuddle - St Laurence

St Laurence

In 987 AD, land of this neighbourhood was given by Alfrith, or Affrith to the Abbey of Cerne - from this donor, combined with that of the river, the name of the village presumably comes.

The earliest datable parts of the church, about 1230 AD are the East Window, the smaller chancel pointed window and the trefoil arch of the south door. The chancel arch is early English, the North arcade about 1460. The other windows are all of the perpendicular style.

The tower is a fine example of Perpendicular period, dated about 1462. It is of flint and grey stone with pediment and pinnacles of yellow Ham Hill stone, in which it resembles many other Dorset and Somerset towers. The buttresses on the East side spring from corbels below roof level on the West wall of the church, a feature shared by the beautiful tower of about the same date at Cerne Abbas. There are some nice gargoyles and heraldic beasts round the tower. The arch between tower and nave has a panelled soffit.

The chancel arch is pierced on the North side by a hagioscope. On the South side is a doorway and stair which led up to the rood loft. On the South wall, just East of the door, is a holy water stoup, and in the South chancel wall a piscina.

There are two fonts, both of the Norman period. The square one in the North-west corner belongs to the church; the round one in the chapel was brought here for safe keeping when the roof of Tonerspuddle church was declared unsound.

The pew ends and the carved pulpit are particular features of the church. As can be seen on a pew in the North aisle:- "Thes seyts were Mayd in the yeare of our Lord God MCCCCCXLVII (1547) the tyme of Thomas Lylynton, vicar of this Cherche." The pews were renewed in 1883 by Messers Hems of Exeter, retaining the carved ends and some linefold panelling. Six more pews were added during the years 1885-90, made by Messers Parsons of Dewlish.

The pulpit, of about the same date, has five panels containing delicately carved figures below which are medallions with the symbols of the four evangelists and the fifth of the pelican. Lylynton, a monk of Cerne Abbey, was appointed vicar here in 1534; in 1539 the Abbey was dissolved and the monks scattered; in 1547 the inscription was set on the pew. One wonders whose were the hands that drew the designs and used the chisels during those years of bitter change.

The screen dividing chapel from nave was one of Sir Ernest Debenham's many gifts to the church. It is partly made from the screen which used to be at the West end, and this in turn was constructed from the chancel screen.

The reredos, the figures of St Laurence and St Cecilia on the East chancel wall and of the Virgin and Child in the chapel were designed and carved by Loughnan Pendred of Cambridge, as also was the crucifix in the war memorial shrine in the garden of peace at the East end of the church. These were given by Sir Ernest Debenham, so also was the beautiful altar frontal of fifteenth-century Spanish Embroidery.

The monument on the North chancel wall is to Edward Lawrence. The Lawrence coat-of-arms, here shown, is supposed to have been the inspiration for the US flag. George Washington's mother was a Miss Lawrence and her arms were quartered thus with the Stars and Stripes.

The present organ, sited in the tower, was installed in the autumn of 1998. It was built by Bevington in the latter part of the nineteenth century and underwent considerable refurbishment on installation. This organ was previously at Collingbourne Kingston church in Wiltshire.

There are four bells dated 1598, 1655, 1685 and 1722. They are rung by a chiming mechanism.

An hour-glass from this church which was treasured by the then parish clerk, Robert Hookey, long after it had gone out of use, was lent on his death to the county museum, Dorchester, where it still remains. The sand runs for 62½ minutes.

Arne


church After the long journey across the heath, it is by way of a relief to enter this tiny hamlet. The little church appears to rise up behind one and, sitting astride a small hill, it is reached by a steep path.  It is almost entirely 13c and the chancel, with its typical triple lancet windows and the nave are as one with no structural division.  There is no tower, but there is a bell gallery of 17c.  The building did not completely escape the reforming zeal of the Victorians although mercifully it was restricted to the "renewal of seats and fittings" to a design by John Belcher of London.  The octagonal font is 14c and the 1842 organ by Gray and Davidson of London was presented by Louisa Countess of Eldon of Encombe House.

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Bere Regis

Abbotsbury

 

Bere Regis  St. John the Baptist

Bere Regis church is one of Dorset's real gems and no tour of the County's ecclesiastical buildings will be complete without a visit.  It is situated in the heart of the village and adjoined from some angles by rather dreary housing developments.  However, this only serves to maximise the grandeur of the church.  During the C13 the area was a royal manor.  Queen Elfrida, the mother of King Ethelred moved here after the murder of her stepson King Edward the Martyr at Corfe Castle.  Much later King John  is known to have stayed here on sixteen separate occasions between 1204 and 1216.  In 1259, the manor was granted to Simon de Montfort, the founder of the English parliament, thus ending royal patronage, although the name 'Regis' stuck.  Perhaps the most famous family associated with the manor were the Turbevilles who became the lords in the C13, but died out early in the C18.  This fact fascinated the novelist, Thomas Hardy, who immortalised them in his celebrated 'Tess of the D'Urbevilles'.  Although the village has existed for more than a thousand years, it has been frequently ravaged by fire.  Perhaps the worst was in 1788 when almost all was destroyed, leaving no building of great antiquity or particular merit.

 

It is reasonable to assume that there would have been a church in the village during the Saxon period, but the present building originates from 1050 when it was a simple cross shaped structure.  Only three items are still visible, which include a stone corbel, some Saxon "long and short work" and an arch vousoir (shaped arch stone) with diaper (diamond shaped) ornament.  During the C12, a narrow aisle was added to the south side and the three bay arcade formed at the time still survives with pointed arches.  The capitals of the round pillars are interesting because they feature grotesque carvings at the angles with representations of bear-baiting, a monkey's head, a king's head and sufferers of headaches and toothaches.  The font is Norman and decorated with interlacing and flowers.  In the C13, the building was extended both eastwards with a new greatly enlarged chancel and  westwards by an extension of the nave.  The C14 saw only a widening of the south aisle.  Squints, sometimes called a hagioscopes, were installed in both the south and north sides of the chancel arch so that there was sight of the high altar and the raising of the Host could therefore be synchronised in the side chapels.  The south squint is unique in that it still retains its original iron grill and the northern one is nicely aligned with a mirror on the organ so that the organist can see what is happening.  In the chancel, there is a double piscina with a shelf  from this period.

 

Without question the most important bequest from the C15 is the superb carved nave roof, generally thought to have been the gift of Cardinal Morton (1420-1500), who became Archbishop of Canterbury, Chancellor of England and adviser to King Henry VII.  He was born at Milborne Stileham, then part of the parish.  The roof, much of which is gilded and painted, is constructed entirely of oak and is the most elaborate in the county.  There are full length figures of the twelve apostles extending horizontally over the nave with central bosses displaying the head of Cardinal Morton, his shield, the Tudor rose and a golden cord representing the marriage he arranged between King Henry VII and Elizabeth of York, which ended the Wars of the Roses.

The C16 saw the addition of the impressive tower and alterations and extensions to the north aisle to form the Morton Chapel at its eastern end.  Above the south porch door are a pair of huge iron hooks with chains, which are of this period and were used to pull the thatch off the roofs of cottages that were at risk from an advancing fire.

In common with almost all churches, the Reformation saw the removal of the rood screen between the chancel and nave, leaving just the access stairway.  The C17 pulpit, discarded during the restoration of 1874-5, was later used to form a reredos in the Morton Chapel.  However, we must be very grateful to the Victorian architect, G E Street RA for his incredibly sensitive restoration, which preserved this sumptuous church for future generations.  The glass, mostly by Hardman, is also Victorian and of very high quality.

There is an exceptionally good and comprehensive church guide.

 

The Trust gratefully acknowledges images and text by Robin Adeney ©

Church Knowle

Church Knowle

St. Peter

There has certainly been a church here since Domesday (1086) because it uniquely mentions that there was a priest present.  The list of rectors starts at 1327.  The guide book says the original building was "a perfect little cruciform church, with chancel, nave and western tower, and with north and south transepts and a south porch."  However, the reforming zeal of some Victorians simply could not leave it alone, although Pevsner says that the west tower had been rebuilt in 1741.

In 1833 - 41 a new north aisle was constructed and the squints on either side of the chancel arch were cut down to the ground and now form two narrow entrances to the chancel.  Nevertheless, it is a delightful church and has an interesting gallery.

 

 

The Trust gratefully acknowledges images and text by Robin Adeney ©

Creech

Creech

St. John - Redundant

Denis Bond of Creech Grange built this church in 1746 using some of the material from the ruins of 12c priory church at East Holme (see East Holme).  The most significant of these is the magnificent semi-circular chancel arch with characteristic chevron mouldings.  Other Bonds twice added to the building during the 19c.  Nathaniel Bond was responsible for the elegant cupola around 1859.  The pews were renewed in 1913 and the building was re-roofed, rather inappropriately, with asbestos cement sheeting in 1964.

 

 

 

The Trust gratefully acknowledges images and text by Robin Adeney ©

 

East Holme

East Holme

St. John the Evangelist

The first record of East Holme is in The Domesday Book where it says 'Elured' held the area before the Norman conquest of 1066 and goes on to mention that "it paid a tax for 2 hides and a virgate of land (about 30 acres). Four villagers had 1.5 hides and a virgate and the value was 20s."

In 1142, Robert de Lincoln gave the manor of Holme to the large Priory at Montacute on condition that they provided four monks in a cell to chant there throughout the year for the souls of certain members of the de Lincoln family. A small 'alien' Cluniac priory was built, which stood behind the present Priory house. Alien houses were founded by wealthy French nobles and given as presents to their favourite Norman monasteries. Some were virtually independent of their foreign superiors while others were not and their priors subject to dismissal on a whim. The 'cells' were very much 'branch offices' and often places of punishment for disobedience or insubordination to a superior. The fortunes of all these establishments depended on the political scene with France and when the two countries were at war, they were subject to temporary seizure.


 

The priory church probably served the parish until the Civil War, but by 1746 it was certainly in ruins because bits, including a Norman arch, were salvaged for a new church at Creech Grange. For the next 150 years all baptisms, marriages and burials were carried out in the parish church of Stoke. By 1702 it was in the hands of the Odingsells family, but in September 1722, the estate was sold to Denis Bond of Grange, who being without an heir, gave it to his nephew, Nathaniel. He built the present mansion and in turn gave it to his nephew, Rt. Hon. Nathaniel Bond KC, a successful barrister (and Treasurer of the Inner Temple), who defended Jane Austen's aunt on a charge of shop lifting. (He was Vice-President of the Board of Trade (1804) and Judge Advocate General in (1806). He died a bachelor in 1813.


 

During the nineteenth century, the Church of England enjoyed a huge renaissance propelled by the twin, if very different, flames of the Evangelical Revival and the Oxford Movement. In the first half of the century 2,000 new churches were built and the same again between 1851 and 1870. Old churches were modernised to bring them in line with the 'correct' ecclesiastical style, which many commentators regard as acts of quite unprecedented architectural vandalism and which resulted in countless important heritage buildings being destroyed. On the other hand, the neglect of the previous century had left many, including the priory church of East Holme, so decayed that if nothing had been done they would have certainly become ruins. In Dorset, hardly a church survived unscathed. Yet, despite all this patronage and enthusiasm, the national census of 1851, which also measured church attendance, showed that only 40.5% of the population went to any sort of church and a mere 21% were practising Anglicans. Disturbingly, the number would fall even further by the end of the century. Nevertheless, works went on unabated in a genuine attempt to encourage the population by providing places of worship that were ecclesiastically correct and usually within walking distance of their homes.


 

In 1864 Holme Priory became the residence of yet another Nathaniel Bond when he married Lady Selina Scott, a daughter of the 2nd Earl of Eldon, whose home was just five miles to the south at Encombe House. It was an excellent marriage because it joined two of the county's most illustrious families. The Bonds had been landowners in Dorset and elsewhere since the 15th century, while Lady Selina's grandfather had been a hugely successful London lawyer who had occupied the prestigious post of Lord Chancellor of England for a record of 25 years. Lady Selina brought wealth and enhanced social standing to Nathaniel's already secure independence. However more importantly, it was to be a quite exceptionally happy union, blest with eleven surviving children. Both families had a history of church-building. The first Lord Eldon was responsible for the complete refurbishment of the 'old' church at Kingston. In 1746 Denis Bond started building a church at Creech, which John Bond completed in 1840. Other members of the family were responsible for Tyneham, where one of them was the incumbent for 57 years until his death aged 95 in 1852. These traditions were to be carried on at East Holme by the young Bonds and, later, by Lady Selina's brother, the 3rd. Lord Eldon, who founded the magnificent and very expensive 'new' church of St. James (1880) at Kingston, to a design by the celebrated London architect G.E.Street (1824-81). Both churches were erected in memory of one of their sponsor's siblings: East Holme commemorates Nathaniel's brother Denis, who had died in 1863 and Kingston, one of Lord Eldon's five sisters. In both cases, the family deaths resulted in large bequests in response to which the recipients almost certainly felt an obligation to erect a memorial church.


 

The Architect.

John Hicks designed East Holme church to a commission of Nathaniel Bond, who paid the whole cost of about £1,500. Hicks was responsible for the building or restoration of at least 27 churches in Dorset, mostly in the gothic revival style, yet very little is known about him. However, we do know he was the son of a Gloucestershire rector and that he had been in architectural practice in Bristol before moving to Dorchester and setting up in offices at 39, South Street, some time before 1852. He was fond of telling the story of a dream he had in Bristol, which concerned a tower he had designed and was, at the time, being built. During the dream a large crack appeared. When he awoke he was so concerned that he immediately saddled his horse and rode out to inspect the structure, only to find the crack exactly as he had seen it!

Perhaps unfairly, he is often posthumously better known for his association with the author Thomas Hardy, who was articled to him from 1856 to '62 and, after gaining further experience in London, became his assistant from '67 until his death in 1869. (It is, therefore, unlikely that Hardy actually worked on the East Holme project, but he must have known about it.) As a result of this connection, Hardy's many biographers have bequeathed various sketchy descriptions of John Hicks, but most agree he was "an amiable, straight dealing man" and, being a classical scholar, exceptionally well educated for a provincial architect.

We know he was married because there is a reference to Mrs. Hicks "sending down" to ask Hardy and the other apprentice, Bastow, to "make less noise." Towards the end of his life he was severely afflicted by gout, which was why he was obliged to offer Thomas Hardy the position of assistant and probably the reason he was not present at the consecration ceremony. Hicks died at the early age of 53 on the12th February 1869.

Many scholars regard the church at North Poorton (1862) as his finest work, although similarities to East Holme can be found in Combe Keynes (1866) and Athelhampton (1861)


 

The Church

The site chosen for the church is remote from the house and raised above the surrounding land to avoid the risk of water logging the graveyard. The present apparent isolation of the building is misleading because when it was completed in 1865 the East drive to the house ran close to it, which meant it was the first building most visitors would have seen.

The main contractors were Messrs. Wellspring and Son of Dorchester.

The walls of this small building of just 49 feet in length are constructed from dark brown sandstone, which was quarried from Holme Mount, about a mile to the south. The roof is of Purbeck stone and a single bell is mounted in a bellcote at the west end. Slightly surprisingly, there is no separate priest's door giving direct access to the chancel, which was a feature so much appreciated by the Victorian clergy.

The rather subdued exterior leaves the visitor entirely unprepared for the riot of colour inside. The walls are richly decorated with leaf scrolls and texts and are the work of Lady Selina's own hand. She must have been a very remarkable person because apart from this artistic 'tour de force', which took 7 or 8 years to accomplish, and the demands of a very busy social and family life, her kindness was such that she still found time to read to the elderly of the parish. Her diary tells of an exceptionally happy if short life of only 48 years and her art is an eloquent testament to this. During 1996 and '97 her work was carefully restored by Richard Smith.

Running round the top of the walls is a bold cornice of Bath Stone, which has been beautifully formed into a floriated design and, at one point, frames the words "This church is erected, A. D. 1865, to the glory of God, and in the memory of Denis William Bond, obiit January 23, 1863". The north and south walls are punctuated by engaged shafts of Purbeck marble surmounted by generously sculpted corbels from which the roof trusses spring. Supporting each shaft is a stone boss, some of which were colourfully decorated by Lady Selina with family shields. In the chancel, there are exquisitely carved angelic stone capitals by Benjamin Grassby of Powerstock. The chancel arch, which rests on shafts of polished Purbeck marble, has been moulded from Bath and Ham Hill stone in alternate courses.

Throughout, the windows are of richly stained glass and the triple lancets above the altar, partially divided vertically by more engaged marble shafts, are particularly fine. Although there was no stained glass when the building was consecrated in April 1866, windows were probably added as memorials when family members died. The windows in the chancel represent St. Denis, the first bishop of Paris, martyred in the late 3rd. century, St. John the Evangelist and St Sophia - Holy Wisdom. The memorial windows in the north side of the nave portray the agony in the garden, the road to Calvary with St. Veronica holding the handkerchief and the Risen Lord appearing to Mary. On the south side are the visit to Mary by Elizabeth; Martha and Mary and 'He set a child in the midst of them'. The east window shows the Wise Men with their gifts, the Crucifixion and the Resurrection. The Evangelists are in the four corners.

The altar table was a gift from the Rt Rev Walter Kerr Hamilton, the Bishop of Salisbury (1854-69) who performed the consecration ceremony. The attractive font carried on yet more marble piers, may have been a present from Lady Selina's mother-in-law, the wife of the Rev Nathaniel Bond of Creech.

In the chancel, the choir desks support finely carved oak praying angels that are the work of R.L. Bolton of Worcester and there is some very fine brass work supporting the simple altar rail that is clearly influenced by the emerging Arts and Crafts Movement. The floor is decorated with an excellent example of Victorian encaustic tiling provided by Messrs. Mawe.

For the size of church, the organ is generous. The bulk tends to dominate the chancel and overflows into the diminutive vestry behind, to such an extent that, before the days of electric fans, the bellows had to be mounted in the ceiling and operated by a lever and push rods, to allow any room at all. It is worth mentioning that many of Hicks's church vestries are smaller than their contemporaries, but in this case the church was originally designed to have a simple harmonium. The current magnificent instrument did not arrive until 1881and was a gift from the Rogett family of Sandford, who made similar contributions to Lady St. Mary in Wareham and the church at Sandford. Lady Selina's daughter, Miss Louisa Bond, the second baby to be baptised in the building, played the East Holme organ for 70 years and was a churchwarden for 46 years (1910-1956), which must surely constitute a record of service to any one church.

Although the building is now lit by electricity, artificial light to the nave was originally provided by very attractive double iron candle brackets and glasses. The chancel desks have fitted plain brass candlesticks and the altar is resplendent with two large lavishly decorated candlesticks.

Outside, the church is approached through a lich gate, which was erected in 1891 in memory of Lady Selina by her brother, Lord Eldon and her surviving sisters, Lady Cottesloe, Vicountess Boyne and Lady Eustace Cecil.

Beyond the gate, the path is paved and there are clipped yews on either side. The churchyard itself extends to just over a third of an acre with many monuments and tombstones, including two in the form of Celtic crosses, in memory of the founders. In spring, the solemnity of the place is cheered up by an exquisite carpet of crocuses and snowdrops.

Unlike the majority of parish churches, which have often evolved as a result of an amalgam of several styles as successive generations left their marks, East Holme is a rare example of high Victorian art at its very best in an entirely nineteenth century building.

The Parish

East Holme is a tiny parish consisting of just seventeen households, including Holme Priory. Although always the parish church, it was originally designed for a congregation which consisted mainly of a large group of family and servants from the Priory together with local tenants, giving it the attractive feel of a private chapel.

From the consecration to 1913, the parish was served by the rectors of Steeple. After that, the vicar of East Stoke served both parishes. When East Stoke lost its vicar in 1974, it joined with Wool, and East Holme linked with Wareham. Since1980, the parish has been served by the team ministry based at Wareham, though still retaining its status as a parish church.

A connection with the village of Powerstock

Despite being completed in 1865, the consecration ceremony did not take place until the week ending the 12th April 1866, probably to fit in with the Bishop of Salisbury's schedule. A contemporary newspaper report refers to the fact that the officiating archdeacon was Thomas Sanctuary of Powerstock and that the harmonium was played by a Miss Gunning.

These two people form part of an intriguing connection. John Hicks was the restoration architect of Powerstock church between 1854 and '59. Benjamin Grassby, the sculptor, had his workshop in Powerstock. A Miss Gunning, (surely the same person who played the harmonium at the consecration ceremony?) who was herself the daughter of another archdeacon, was responsible for painting an exquisite floriated design over the windows of the Powerstock chancel. Thomas Sanctuary's wife painted further floriated designs on the walls of the nave. (both decorations can still be seen in Powerstock church). It cannot be stretching the imagination too far to assume that Mrs. Sanctuary and Miss Gunning were friends of Lady Selina, through their common interest in decoration. Although the two parishes are over thirty miles apart, the nineteenth century was a period of frantic railway building and by 1857 the benefits of the national network had extended to much of Dorset, which made travel between the two places simple. Powerstock had its own station on a branch line to Bridport and East Holme was (and still is) served by Wareham.

Thomas Sanctuary is himself worthy of comment, because apart from re-building Powerstock, he was responsible for North Poorton and West Milton, which was completed by G. R. Crickmay after Hicks' death. Before Sanctuary arrived, Powerstock had a reputation for being very wild and it was because he had been a boxing blue that he was offered the living!

The Trust gratefully acknowledges images and text by Robin Adeney ©

 

Kingston

Beer hackKingston

St. James

Kingston is unique in Dorset in that it has two Victorian churches. The first, designed by his son-in-law George Repton, now a dwelling, was built in 1822 by the 1st Lord Eldon to replace a small chapel. However by the 1870s the 3rd Lord Eldon felt it was his Christian duty to provide a new church and wanted something rather grander, despite only ever serving a relatively small parish. Others, less charitably, have said he built it as a personal statement of his wealth and prestige. Whatever the real reason, he has bequeathed the area an incredibly beautiful object that can be seen for miles around.

Entered through a western narthex, Kingston, popularly known as the 'Cathedral of the Purbecks', is a magnificent gothic revival church by the eminent Tractarian architect, G. E. Street, who is better known for the contemporaneous Royal Courts of Justice in London and several other important churches including St Peters in Bournemouth. The tall central tower, with its peal of eight bells, is a local landmark. The church shows the influence of French Gothic, but internally Street used local Purbeck marble for shafting. The chancel is vaulted in stone and has a fine wrought iron screen. The pulpit by Potter is another example of superb wrought iron work, all of which was executed to the designs of the architect. There is a very important three-manual organ by Maley, Young and Oldknow built specifically for the church and contained in the shallow north transept. The nave is tall and lofty, lit by a clerestory and, at the west end by a magnificent 12ft. rose window, designed by Street and executed by Clayton and Bell. There are no pews, just chairs. The hallmark of the building is certainly the highest possible quality even in the smallest details.

At the age of just 28, the third Lord Eldon, who lived nearby at Encombe, commissioned the architect to build his grandest church at a final cost of around £70,000. Although a fortune at the time, the work was undertaken entirely by the estate staff, thus providing employment during a period of depression. The stone was quarried on the estate and the timber was imported from Lord Eldon's Gloucester property. It was completed in 1880 and Street is reputed to have remarked "It is a pleasure to make work so much after one's heart as this will be; I think it is the jolliest church I have built". No expense had been spared to erect a monument notionally to the memory of Lord Eldon's great-grandfather, the first Lord Eldon (1751-1838), who had been the Lord Chancellor of Great Britain for 25 years during the reigns of both George III and IV. 

The Trust gratefully acknowledges images and text by Robin Adeney ©

Langton Matravers

Beer hacklangton Matravers

 

 

 

 

 

 

 

 

 

 

 

 

Lulworth East

Church imageLulworth East

St. Andrew

Resting in parkland among some really splendid mature trees with glimpses of the castle behind its magnificent C15 tower, this otherwise rather plain Victorian building has been invested with great charm.   There has been a church here for a long time and the list of known vicars stretches back to 1312.

It has been rebuilt at least twice.  As with many churches in the county, it had been allowed to decay to a ruinous state and by 1785 a faculty to rebuild most of it, together with an apsidal chancel, had been applied for.  It is likely the design was by John Tasker, who was also responsible for the enchanting nearby Roman Catholic chapel - both buildings being funded by Thomas Weld.

The second rebuild of 1864 is by John Hicks of Dorchester, who was responsible for more restorations in the county than any other architect working at the time.  Thomas Hardy, the author, was articled to him.  Apart from the tower, he swept everything away, including the apse, and added a vestry.  This was certainly radical surgery, but there is a curious and very pleasing harmony about the finished work.

 

 

The Trust gratefully acknowledges images and text by Robin Adeney ©

Studland

St. Nicholas

We can be reasonably certain that the erection of the first church to stand on this site was influenced by St. Aldhelm about 1300 years ago.  However the present building is almost entirely 12c and is the finest example of Norman church architecture in the county.  It is a three-cell building with a nave, chancel under a central tower and a sanctuary.  There are some original windows in the north side, the rest were renewed in the 18c and have typical rounded arches.  The tower and chancel arches have good Norman detail and there is excellent vaulting.  The tower with its saddle roof is surprisingly short and this may be because the original builders were nervous to go higher on somewhat insubstantial foundations.  The porch is probably 17c.

As with many of Dorset's churches, the building had been allowed to decay to such an extent that by 1880 there was a real fear that it might fall down.  Fortunately, the Society for the Protection of Ancient Buildings had just been formed and we and future generations must be profoundly grateful that their good advice and that of the architect G.R.Crickmay was taken and the church preserved in its ancient form by the building firm of Hardy of Swanage.

There is a Norman font and an 18c pulpit.  The west gallery was installed towards the end of the 18c. Note the organ console in the tower crossing operates remotely from the instrument located in the gallery.  It is by Hill and Norman and Beard and was a gift in 1937 to commemorate the coronation of King George VI; the current remote arrangement was made in 1960.

Above the sanctuary there is a chamber that can be reached through a door 20 feet up on the north side.  This may well have been used by visiting priests when there was no permanent incumbent, although there are no concessions to comfort in the form of a fireplace.  It has also been suggested that the area was used as a storeroom for contraband by 18c smugglers, notably the celebrated Isaac Gulliver.  Legend has it that illicit alcohol etc. was moved in and out during services, which must have been an excellent cover!

Wareham - St. Martin

St. Martin

St. Martin is perhaps the most important and complete Saxon church in Dorset.  The original two-cell church must have been very similar to the textbook Saxon example found at Bradford-on-Avon.  In the 12c the narrow north aisle was added, but had to wait until 15c to receive a window.  The building is entered through a 16c south tower with saddleback roof.  There is a magnificent chancel arch, flanked by squints and some wonderful wall painting of various dates. There is a plain octagonal 17c font.

As with so many of Dorset's churches, it had been allowed to reach a perilous state of dilapidation by the end of the 18c and was closed.  It was not until 1935 that a decision was taken to save the church after nearly 200 years of neglect and it was re-dedicated by the bishop on 23rd November 1936.

The most important monument in the building is the recumbent effigy of T.E.Lawrence, who is buried in Moreton churchyard.  This a superb representation in Purbeck stone of the enigmatic Lawrence of Arabia in full Arabian dress is by his friend, Eric Kennington.

The Trust gratefully acknowledges images and text by Robin Adeney ©

Wareham Lady St.Mary

Wareham

Lady St. Mary

The most impressive view of Lady St. Mary is from the road from Stoborough.  It seems to tower above the other buildings on the river bank, yet it is almost impossible to photograph the whole from the ground.  Tradition has it that St. Aldhelm (639 - 709) founded this church and, although added to, it remained untouched until 1841.

As with so many wonderful churches in the county, the Victorians simply could not leave them alone.  In many cases if work had not been done the structures would certainly have collapsed, but a dilapidated roof is hardly an excuse to demolish the nave.  What we now have is a Saxon church with a plain Victorian nave.  Nevertheless, it remains an exceptional church of great interest.

The south chapel with 13c vaulting is dedicated to St. Edward, who was martyred at Corfe in 978.  The 14c chancel is magnificent  with a superb east window and range of four sedilia with a double piscina in the eastern bay.  The landmark tower was added in 15c.  Later, galleries and box pews were added, although both were removed by the Victorians.  There is a unique 12c octagonal decorated lead font mounted on a Purbeck stone base.

Of its many illustrious rectors, probably the most celebrated is Rev. John Hutchins who was the incumbent from 1744 to 1773.  He was responsible for producing the definitive history of Dorset's buildings, which is still in use today. (See also Bradford Peverall)

The Trust gratefully acknowledges text by Robin Adeney and Air Photography by DHCT © DHCT 2018

 

West Lulworth

Holy Trinity

There was once a Norman church in this most attractive village, but after it had been extended in the early C19 it looked lop-sided. By 1869, the building was dilapidated and inadequate for the congregation so the decision was made to build a new church on an entirely new site.

The present church was designed by John Hicks of Dorchester (who had the author Thomas Hardy as a pupil), but not finished by him owing to his death. R.G.Crickmay of Weymouth completed the work; the pulpit, font and prayer desk are his designs. Interestingly, the foundation stone was laid by Lady Selina Bond (5th daughter of Lord Eldon of Encombe) who, with her husband Nathaniel lived at Holme Priory and were themselves responsible for the building and decoration of East Holme church. The carving on the stone capitals and the carved wooden text over the arch are by Benjamin Grassby of Powerstock, and the reredos frame, altar and lectern pedestal are by Rev W Gildea, the vicar at the time. The building was consecrated by the Bishop of Salisbury on 11th May 1870.

The Trust gratefully acknowledges images and text by Robin Adeney ©

Worth Matravers - St. Aldhem's Chapel

ST. ALDHELM'S CHAPELIt is a long walk from the car park to St. Aldhelm's Chapel at Worth Matravers, but well worth the effort.  This small squat building sits above the cliffs on a headland adjacent to a line of coastguard cottages and a modern observation point.  It is a dramatic place and this little church harmonizes well with its setting.

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